An aviation artist is only as good as his/her access to the
reference material essential to support the subject matter of
the art. With this in mind, Keith is surrounded by 27 file
drawers in the studio alone along with a continually growing
library of reference books, technical manuals, and handbooks. At
his fingertips is an organized library of over 50,000 slides
documenting Air Force Art travels, aircraft details, land, sea
and cloudscapes, etc.. The ever more important computer desk
encroaches on studio space. In another room are an additional 35
letter/legal and 35 flat files, along with a library of aviation
periodicals. Add the inevitable memorabilia, and it is an
incredibly cluttered, but efficient studio.
An aviation artist is only as good as his/her access to the
reference material essential to support the subject matter of
the art. With this in mind, Keith is surrounded by 27 file
drawers in the studio alone along with a continually growing
library of reference books, technical manuals, and handbooks. At
his fingertips is an organized library of over 50,000 slides
documenting Air Force Art travels, aircraft details, land, sea
and cloudscapes, etc.. The ever more important computer desk
encroaches on studio space. In another room are an additional 35
letter/legal and 35 flat files, along with a library of aviation
periodicals. Add the inevitable memorabilia, and it is an
incredibly cluttered, but efficient studio.
